008 Langage, Langue, Parole — Why Saussure Split "Language" in Three The most famous distinction in the Course, quoting the French original: the speaking-circuit, "1 + 1 + … = 1", and the symphony.
2026.09.08 007 Basic Japanese Grammar in Three Sentences from Mishima's The Sound of Waves The same three sentences, this time from the ground up: the predicate comes last, particles are tags stuck onto words, description goes before the noun — all set against English.
2026.09.07 006 Reading Japanese Narration in the Opening of Mishima's The Sound of Waves Dissect the three sentences that open the novel — not with a person but with a place — and the skeleton of Japanese narration shows through: head-final order, the wa/ga alternation, the nominal predicate.
2026.09.07 005 005 Saussure's Course in General Linguistics, Explained — Part 2: How the System Works, and How It Changes A word's meaning is fixed by its difference from its neighbours. Synchrony and diachrony, value as difference, syntagmatic and associative relations, then sound change, analogy and waves — with everyday examples.
2026.09.07 004 Saussure's Course in General Linguistics, Explained — Part 1: What Language Is, and What a Sign Is Language is not a list of names for things. A slower walk through the line Saussure drew between langue and parole, and the idea that a sign is a concept joined to a sound.
2026.09.07 003 Saussure's Course in General Linguistics: An Overview Langue and parole, the arbitrary sign, synchrony and diachrony, value as difference — an overview of the lectures that reshaped how the twentieth century thought about language.
2026.09.07 002 Saussure and the Birth of Linguistics Reading the background of Course in General Linguistics and its opening survey of linguistic history.
2026.09.07